I
think of her:
the
woman,
young
in 1913
who
almost smirked
in
- what was it - her
Forgotten,
but not gone.
Here
on my bookcase now,
kept
in a frame too small
and
cheap for her.
Purchased for 4.95 to become
an
imaginary, antique friend for
me.
A
bell had tinkled brightly as the old door
closed
behind us or maybe it was me
cheerfully
telling myself that I’d rescued her.
I
suppose it never crossed her mind
to
sign the back of every print
near
the date stamp
in
case one of them would be dislocated
in
a hundred years.
That’s
behind us now.
She
smiles.
And I think of her:
the woman carrying water,
who is really imaginary,
(I know, because I imagined her
from a colorful, collective story
of those who walk barefoot
on the back paths
of another continent
any dry, dry place,
anonymously photographed
for charity mailings.)
Yet, in a real somewhere,
no doubt she wraps her body
in vibrant fabric lengths
and shifts a heavy-laden pot to her head
(or, maybe, in reality, she hauls plastic jugs.)
She moves as if pain and practicality
were beauty products.
Meanwhile, I pull up the hood of my gray,
down-filled jacket against the elements
and walk out into the damp, cold north
of this continent, this time.
And I form a sharp-edged prayer
from my mesh of objections.
I am not that woman.
Not the woman whose
superpower
is an expression that
dissolves time.
Not the woman gracefully balancing
a heavy life without
spilling.
Not her...
To which God quietly replies (again): XX
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